Opening the door to the Vasilyevsky Island apartment, within a 100-square-meter space, a "creative dialogue tailored for future architects" quietly unfolds. The design, informed by the rationality of Bauhaus and the poetic light and shadow of James Turrell, interweaves minimalist white with the warmth of wood. It accommodates both the lively gatherings of friends and the quiet contemplation of solitude—not just a living space, but an "incubator" for young architecture students.

推开通往瓦西里耶夫斯基岛的公寓门，100 平方米的空间里，一场 “为未来建筑师量身定制的创意对话” 正悄然展开。设计以包豪斯的理性骨骼为架，以詹姆斯・特瑞尔的光影诗意为魂，将极简白与木质暖交织，既装得下朋友欢聚的热闹，也容得下独处思考的沉静 —— 这里不只是居住空间，更是一位年轻建筑学子的 “灵感孵化器”。

The designs sense of spatial transparency is the first expression of freedom. Without heavy walls, the entrance flows like water into the elongated living room. The office area is separated by a single glass partition, allowing unimpeded vision to flow through all areas. The afternoon sun filters through the glass, casting subtle shadows on the white walls and floor, giving the 100-square-meter space a visually expansive, breathable feel. This "boundless" concept echoes the architectural students philosophy: creativity should not be confined, just like light and vision in a space; freedom allows for the growth of new possibilities.

空间的通透感，是设计写给自由的第一句注脚。没有厚重隔墙的分割，玄关像流水般漫进拉长的客厅，办公区也仅用一面玻璃隔断轻描边界，视线能毫无阻碍地穿梭于各个区域。午后阳光穿过玻璃，在雪白色的墙面与地面上织出淡影，让 100 平方米的实际面积，在视觉里生出更开阔的呼吸感。这种 “无界” 恰是对建筑学子思维的呼应：创意本就不该被框定，就像空间里的光线与视线，自由才能生长更多可能。

The living rooms dining area is the centerpiece of the home. A large, warm wooden table stands quietly in the center, its texture imbued with natural warmth. Here, it can be a dining table for friends to share a meal, a workbench for laying out blueprints and discussing designs, or even a makeshift "audience seat" for a movie. The full-height bookshelves behind the table are already filled with anticipation for the future: once the owner displays architectural catalogs and design manuscripts, they will transform from simple storage shelves into a private "inspiration library," giving the living room an added layer of study and research beyond just socializing.

客厅的用餐区是整个家的 “引力核心”。一张温润的木质大桌静静立在中央，桌面的纹理里藏着自然的温度 —— 在这里，它可以是朋友围坐分享美食的餐桌，也能变身为铺开图纸、讨论设计的工作台，甚至能成为放映电影时的临时 “观众席”。桌后那排通高的书架，早已为未来填满期待：待主人将建筑画册、设计手稿一一陈列，它便会从普通的储物架，蜕变成一座私人 “灵感图书馆”，让客厅在 “社交” 之外，又多了层 “研学” 的意义。

The kitchens design embodies a masterful balance between order and beauty. Unlike typical open kitchens, this one uses sliding panels to discreetly conceal the cooking area. When closed, the clutter of kitchenware and traces of cooking fumes instantly disappear, returning the space to a minimalist, uncluttered aesthetic. When its time to prepare food, the panels slide open, creating a seamless connection with the living room. This ingenious "hidden and revealed" design, like the balance between function and form in architectural design, is both practical and aesthetically pleasing.

厨房的设计藏着对 “秩序与美感” 的平衡术。不同于常见的开放式厨房，这里用滑动立面将烹饪区悄悄藏起，当面板闭合，杂乱的厨具与油烟痕迹瞬间隐身，空间回归极简的整洁；而当需要料理时，立面推开，又能与客厅形成流畅互动 —— 这种 “可藏可显” 的巧思，恰似建筑设计中对 “功能与形式” 的拿捏，既实用，又不破坏整体美学。

Private areas are cozy nooks reserved for introverts. The study, bedroom, and bathroom continue the overall sober palette, yet each space features a comfortable single chair. The study chair, next to a floor lamp, is perfect for late-night architectural readings. The bedroom chair, by the window, allows for morning sun-filled reflections while organizing design ideas. The bathroom, on the other hand, employs the art of light and shadow to its fullest. Within the all-white space, the luminous ceiling resembles a soft cloud, reminiscent of James Turrells installations where light takes center stage. The interplay of the sound of flowing water and warm light washes away the days fatigue and fuels inspiration.

私密区域则是为 “内向者” 预留的温柔角落。书房、卧室与浴室延续了整体的素净色调，却在每个空间里都藏了一把舒适的单椅：书房的椅子旁挨着落地灯，适合捧着建筑理论书读到深夜；卧室的椅子临窗，晨起时能晒着太阳梳理设计思路；浴室更是将光影艺术做到极致 —— 全白的空间里，发光的天花板如一片柔和的云，让人想起詹姆斯・特瑞尔那些 “让光成为主角” 的装置作品，水流声与暖光交织，洗去一天的疲惫，也为灵感积蓄能量。

Light is the invisible designer throughout the apartment. The light boxes and lighting fixtures in every room are more than just illumination tools: the living room lights can be dimmed to a bright and lively setting for a gathering with friends, creating a lively atmosphere; late at night, when alone, the lights can be dimmed, creating a quiet and gentle space perfect for poring over blueprints or conceptualizing a plan. This magical play of light and shadow, alternating with the scene, imbues the space with emotion: it can be a lively stage for parties, a contemplative corner for solitude, and even a canvas for architectural inspiration.

光，是贯穿整个公寓的 “隐形设计师”。每个房间的灯箱与光影装置，都不是简单的照明工具：客厅的灯在朋友聚会时可调至明亮活泼，营造热闹氛围；深夜独处时，灯光调暗，空间又变得静谧柔和，适合对着图纸发呆、构思方案。这种 “光影随场景切换” 的魔法，让空间有了情绪：它可以是派对时的热烈舞台，也能是独处时的冥想角落，更能是建筑创作时的灵感画布。

Standing in this space, one can clearly sense the symbiotic relationship between design and user: Bauhaus furniture cultivates a sense of classic aesthetics, the warmth of wood conveys the warmth of life, and the play of light and shadow inspires design imagination. For this future architecture student, LF20 Apartment is more than just a "home," it is her first classroom for learning about architecture and understanding space. Here, every touch of the wooden tabletop, every observation of the play of light and shadow on the wall, every moment of contemplation in the corner chair, all serve to accumulate authentic experiences of "beauty and life" for her future design career.

站在这个空间里，能清晰感受到设计与使用者的 “共生关系”：包豪斯的家具培养着对经典美学的感知，木质的温润传递着生活的温度，光影的变化启发着设计的想象。对这位未来的建筑学子而言，LF20 公寓不只是 “家”，更是她接触建筑、理解空间的第一课堂 —— 在这里，每一次触摸木质桌面的质感，每一次观察光影在墙面的移动，每一次在角落的椅子上思考，都是在为未来的设计之路，积累着关于 “美与生活” 的真实体验。

This is the charm of LF20 Apartment: with its minimalist form, warm materials and dynamic light and shadow, it has built a home for a young creator and a creative garden where “inspiration never runs dry.”

这便是 LF20 公寓的魅力：它用极简的形态、温暖的材质与灵动的光影，为一位年轻创作者筑造了栖身之所，更筑造了一座 “灵感永不枯竭” 的创意花园。

△平面图

编辑：

夏边际

撰文：豆宝宝

校改：吴一仁

编排：布忠耀

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