Béton Brut × Salvino Marsura

London, UK

在伦敦设计节（London Design Festival）2025 期间，位于哈克尼（Hackney）的设计画廊贝通布鲁 （Béton Brut）迎来成立十周年的重要时刻。为此，创始人苏菲·皮尔斯（Sophie Pearce）策划了一个具有标志意义的回顾展——这是意大利金属工艺大师萨尔维诺·马苏拉（Salvino Marsura）的首次大型个展。

During the London Design Festival 2025, the design gallery Beton Brut located in Hackney is celebrating an important moment of its tenth anniversary. For this reason, the founder Sophie Pearce curated a landmark retrospective exhibition - this was the first major solo exhibition of the Italian metalworking master Salvino Marsura.

P. 01

贝通布鲁（Béton Brut)自2013年创立以来，以其对欧洲及日本百年家具设计的深度挖掘和独到眼光而闻名。画廊的收藏贯穿20世纪至今，风格却始终如一：讲究材料本质、结构理性与雕塑感的形态语言。其名称“Béton Brut”，取自现代主义建筑中“清水混凝土”的概念，传达出其对原始、有机之美的追求。

Since its establishment in 2013, Beton Brut has been renowned for its in-depth exploration and unique perspective on century-old furniture design in Europe and Japan. The gallerys collection spans from the 20th century to the present, yet its style remains consistent: emphasizing the essence of materials, structural rationality, and the sculptural form language. Its name Beton Brut is derived from the concept of fair-faced concrete in modernist architecture, conveying its pursuit of primitive and organic beauty.

P. 02

P. 03

P. 04

P. 05

P. 06

P. 07

P. 08

P. 09

萨尔维诺·马苏拉（Salvino Marsura，1938–2020）被誉为意大利铁艺界的隐秘巨匠。他曾在威尼斯著名“铁之诗人”托尼·贝内通（Toni Benetton）的工作室习艺，随后在特雷维索（Treviso）经营了长达六十年的个人工坊。马苏拉的作品难以归类——椅子、屏风、镜子与纯粹的雕塑并置，它们皆由他亲手锻造、焊接与弯曲而成，带有极强的个人语言。

Salvino Marsura (1938-2020) was hailed as a hidden master in the Italian ironwork world. He once studied in the studio of the famous Poet of Iron Toni Benetton in Venice, and then ran a personal workshop in Treviso for as long as sixty years. Masullas works are hard to categorize - chairs, screens, mirrors and pure sculptures are placed side by side. All of them are forged, welded and bent by his own hands, carrying a very strong personal language.

P. 10

P. 11

本次展览呈现了一系列既粗犷又精致的作品，作品在实用与表达之间、家具与纪念碑之间游走，体现了Béton Brut（贝通布鲁）一贯强调的审美立场：形式不仅服务功能，更承载情感。通过此次展出，画廊不仅让萨尔维诺·马苏拉（Salvino Marsura）这位被忽视的意大利工艺大师重新回到公众视野，也再次强调了其作为审美策展人的角色——连接传统、时间与可触性的交汇点。

This exhibition presents a series of works that are both rough and exquisite. The works move between practicality and expression, furniture and monuments, reflecting the aesthetic stance that Beton Brut has always emphasized: form not only serves function, but also carries emotion. Through this exhibition, the gallery not only brought Salvino Marsura, the neglected Italian master of craftsmanship, back into the public eye, but also once again emphasized his role as an aesthetic curator - the intersection that connects tradition, time and accessibility.

P. 12

信息 | information

编辑 EDITOR

：Alfred King

撰文 WRITER ：L·xue 校改 CORRECTION :

W·zi

设计-版权DESIGN COPYRIGHT : Béton Brut × Salvino Marsura