CBD 的核心腹地，一座建筑安静地矗立在时间的交汇处。金桐拾贰——不只是地理坐标，更是一个文化坐标。在这里，故宫的飞檐与国贸的玻璃幕墙在视线中相遇，传统与现代达成默契的平衡。“我们以此为起点，希望呈现的是一种气质，这种气质延续了千年。提取传统建筑上的‘屋脊兽’元素，转译其精神意象，让古老符号在现代的框架下当下获得新生。”

At the very heart of the CBD, a building stands quietly at the intersection of time. Jintong Twelve is not merely a geographical coordinate, but a cultural one. Here, the upturned eaves of the Forbidden City meet the glass curtain walls of the China World Trade Center, where tradition and modernity arrive at a tacit equilibrium. “We take this as our point of departure, hoping to present a certain temperament—one that has endured for thousands of years. By extracting the motif of the roof-ridge beasts from traditional architecture and translating their spiritual imagery, we allow these ancient symbols to gain new life within a contemporary framework.”

守护与时序

Guardianship and the Order of Time

入口处，一件青石吸水兽静置于金属台座之上。源于传统皇室园林的灵感，跨越千年的艺术性：这尊雕塑超越了装饰性，它的存在建立了一种空间仪式感——从喧闹都市步入宁静私域的过渡。

At the entrance, a bluestone water-absorbing beast rests quietly upon a metal pedestal. Inspired by traditional imperial gardens, it carries an artistic lineage spanning millennia. This sculpture transcends ornamentation; its presence establishes a spatial ritual—a transition from the noisy city into a tranquil private realm.

天然石材的粗砺质感与金箔的光泽形成微妙对话，传统守护意象被赋予了现代的物质表达。每一处雕刻痕迹都成为时间的引序，连接着古老营造智慧与当代居住哲学。

The rugged texture of natural stone forms a subtle dialogue with the luster of gold leaf, giving traditional symbols of protection a contemporary material expression. Every carved mark becomes a prelude of time, connecting the ancient wisdom of craftsmanship with the philosophy of modern living.

光的容器

A Vessel of Light

开敞的横厅成为光的剧场。手工敲打的黄铜茶几以不规则弧形回应着屋脊的流动线条。材质在反复锻打中获得的独特肌理，成为空间的时间印记。

The open-plan living room becomes a theater of light. A hand-hammered brass coffee table, shaped in irregular curves, echoes the flowing lines of traditional roof ridges. The unique patina formed through repeated forging becomes a temporal imprint within the space.

天鹅椅的全实木雕刻工艺，将古典主义与东方美学进行巧妙缝合。L形沙发与马毛单椅形成非对称的围合，创造出自在、舒适的交流场域。

The all-wood carving of the Swan Chair skillfully weaves together Classicism and Eastern aesthetics. The L-shaped sofa and horsehair armchair form an asymmetrical enclosure, creating a relaxed and comfortable space for interaction.

墙面的金色抽象画中，骑凤仙人以小画框形式嵌入：“这是设计团队精心布置的视觉典故。传统建筑符号被解构成平面元素，与现代抽象形式并置，产生有趣的互文关系。”

Within the golden abstract painting on the wall, the motif of the “Immortal Riding a Phoenix” is embedded in a small framed image:“This is a visual allusion carefully arranged by the design team. Traditional architectural symbols are deconstructed into planar elements and juxtaposed with modern abstraction, producing an intriguing intertextual dialogue.”

悬浮诗篇

A Suspended Poem

餐厅顶部，云石片与金属构件组成的吊灯装置如同悬浮的雕塑。每一片云石的天然纹理都是唯一的，它们在精确计算的高低起伏中形成视觉韵律。这件装置从餐桌延伸至客厅，在空间中划出柔和的动线，将不同功能区编织成连贯的整体。

Above the dining area, a lighting installation composed of marble slices and metal components appears as a floating sculpture. Each piece of marble bears a unique natural veining, and through precisely calculated variations in height, they form a visual rhythm. Extending from the dining table into the living room, the installation traces a gentle path through the space, weaving different functional zones into a continuous whole.

餐桌上，瓷器与黄铜器物的组合宛如立体静物画。中古物件与现代器皿的并置，创造了时间层的叠合效果。

On the dining table, the combination of porcelain and brass objects resembles a three-dimensional still life. The juxtaposition of antique pieces with modern vessels creates a layered effect of time.

岛台处的狮子摆件通过层叠的展示方式，获得了建筑般的诗性哲学与纪念意义。

At the island, a lion figurine gains an architectural sense of poetry and commemorative meaning through a tiered display arrangement.

厝置静雅

A Quiet and Refined Placement

移门开启，书房呈现为半开放的收藏空间。这里的每一件物品都具有展品属性。书架的云石片镶嵌采用了随机错落的排列逻辑，在秩序中保留了一丝自然的不确定性。

As the sliding doors open, the study reveals itself as a semi-open space of curated collections. Every object here possesses the quality of an exhibit. Marble inlays on the bookshelves are arranged in a seemingly random yet deliberate rhythm, preserving a touch of natural unpredictability within order.

温润木作与冷峻石材的材质对话，丰富了空间的触觉体验。书椅背部的金属细节抽象化地呼应了兽角意象，这是对主题的现代诠释。麒麟皮影装裱于当代画框中，传统民间艺术被赋予了新的展示语境。老木箱的存在不仅提供收纳功能，更作为时间标本参与空间叙事。

The dialogue between warm woodwork and cool stone enriches the tactile experience of the space. Metallic details on the back of the desk chair abstractly echo the imagery of beast horns, offering a modern interpretation of the overarching theme. A qilin shadow-puppet artwork, mounted within a contemporary frame, grants traditional folk art a new exhibition context. An old wooden trunk serves not only as storage, but also as a specimen of time, participating in the spatial narrative.

绢绸与冥想

Silk and Meditation

主卧空间通过材质与光线的控制，营造出静谧的冥想氛围。入口处的玄关桌以流动的形态打破了空间的直线逻辑，丝绒表面捕捉着光线的微妙变化。这件家具既具功能性，又是一件独立的雕塑作品。

Through the careful control of materials and light, the master bedroom cultivates a serene, meditative atmosphere. At the entrance, a console table with fluid contours breaks the rectilinear logic of the space. Its velvet surface captures subtle shifts of light, functioning both as furniture and as an independent sculptural piece.

门扉旁的装置艺术采用卷轴形式，旧金箔在丝绸底面上形成斑驳的肌理。清代木雕花板被作为艺术品嵌入，历史碎片在新的语境中重新获得意义。

The installation art beside the doorway takes the form of a scroll, with aged gold leaf creating a mottled texture on a silk base. Qing Dynasty carved wooden panels are embedded as artworks, allowing fragments of history to regain meaning in a new context.

下方的石膏基座模拟了织物的柔软形态，材料的表现力被推向极致。中古回流狮子作为点睛之物，其手工金彩工艺与整体的细腻质感形成有趣对比。

Below, a plaster pedestal simulates the softness of fabric, pushing the expressive potential of materiality to its limits. A vintage repatriated lion figurine provides the final accent, its hand-applied gilding forming a compelling contrast with the overall delicacy of the space.

弧形的庇护

Curved Shelter

客卧通过一道弧形屏风状的背板重新定义了空间节奏。硬包面料的肌理在弧形表面上产生微妙的光影变化，创造了柔和的视觉缓冲。这道弧线不仅解决了入户直视的问题，更塑造了一个被包裹的庇护所。咖色与棕红的色彩组合沉稳而富有深度，披毯与地毯的图案呼应建立了视觉的连续性。

The guest bedroom redefines spatial rhythm through a curved, screen-like headboard. The texture of the upholstered surface creates nuanced light and shadow across the curve, forming a gentle visual buffer. This arc not only resolves the issue of direct sightlines from the entrance, but also shapes an enveloping sense of refuge. The palette of coffee brown and reddish-brown is calm and profound, while the patterns of the throw and rug echo one another to establish visual continuity.

胃叙：时间叠印

Postscript: Imprints of Time

金桐拾贰的软装设计是一次关于时间性的探索。我们不是在模仿传统，而是在寻找传统的当代表达。屋脊兽从建筑构件转化为设计语汇，从具象符号演变为精神意象。在这个空间里，每一个物件都是多时间层的叠印——清代木雕、中古物件、当代设计品共存对话。

The soft furnishing design of Jintong Twelve is an exploration of temporality. Rather than imitating tradition, we seek its contemporary expression. Roof-ridge beasts are transformed from architectural components into a design language, evolving from figurative symbols into spiritual imagery. Within this space, every object is an imprint of multiple time layers—Qing-dynasty wood carvings, vintage pieces, and contemporary designs coexist in dialogue.

最终，空间本身成为了一件大型装置艺术，它不试图讲述单一的故事，而是提供丰富的解读可能。在这里，居住者不仅是空间的使用者，更是意义的共同创造者。历史在当代的框架中重新显影，传统在现代的语境中获得新生——这或许就是东方美学在全球化时代的独特表达方式。

Ultimately, the space itself becomes a large-scale installation artwork. It does not attempt to tell a single story, but instead offers rich possibilities for interpretation. Here, residents are not merely users of space, but co-creators of meaning. History re-emerges within a contemporary framework, and tradition finds renewal within a modern context—perhaps this is the unique expression of Eastern aesthetics in a globalized era.