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Interpreting this multi-storey residence surrounded by lush forests from an artistic perspective, it is clearly a contemporary embodiment of Louis Kahns theory of "service and serviced space". T.M Design Studio has the courage to deconstruct the traditional architectural framework and make the geometric staircase like folded paper art the axis of spatial narrative. When the morning light shines through the gaps in the forest and casts gradient light spots on the pure white wall, this 440 square meter residence is no longer a cold structure, but a three-dimensional poem of light, shadow and material dancing together, finding a new balance in modern living between "breaking boundaries" and "rebuilding order".

用艺术视角解读这座被葱郁林海环抱的多层住宅，分明是路易斯・康 “服务与被服务空间” 理论的当代具象化。T.M Design Studio 以解构传统建筑框架的勇气，让折叠纸艺般的几何楼梯成为空间叙事的轴心 —— 当晨光穿过森林缝隙，在纯白墙面上投下渐变的光斑，这座 440 平方米的宅邸不再是冰冷的结构体，而成为光影与材质共舞的立体诗篇，在 “打破界限” 与 “重建秩序” 之间，寻得现代栖居的新平衡。

The central staircase is the soul of the space. Its sharp creases are like rice paper folded by time, and the edges of the concrete steps are polished into extremely thin fins, presenting a sense of lightness that is almost suspended in the light of the skylight on the top. The brushed stainless steel bars of the handrails are arranged at irregular intervals. When children climb, the cold metal touched by their palms forms a temperature dialogue with the warm wood - one winter night, the father reads under the floor lamp on the staircase platform, and the daughter draws on the corner steps. The shadow cast by the stairs on the wall changes with the angle of the light, sometimes like an abstract painting, and sometimes like a three-dimensional maze, becoming a natural theater for emotional interaction among family members. This design that transforms functional components into art installations makes the vertical traffic space a material carrier that connects intergenerational memories.

中央楼梯是空间的灵魂所在。其锐角折痕如被时间压褶的宣纸，混凝土浇筑的踏步边缘打磨成极薄的飞边，在顶部天窗的光线里呈现出近乎悬浮的轻盈感。扶手的拉丝不锈钢条以不规则间距排列，当孩童攀爬时，手掌触过的冰凉金属与温暖木材形成温度对话 —— 某个冬夜，父亲在楼梯平台的落地灯下阅读，女儿趴在转角台阶上画画，楼梯投在墙面的影子随灯光角度变化，忽而如抽象画作，忽而似立体迷宫，成为家庭成员情感互动的天然剧场。这种将功能性构件转化为艺术装置的设计，让垂直交通空间成为连接代际记忆的物质载体。

The whole house is dominated by white, but the texture of the material is mysterious: the micro-cement on the wall of the living room has a fine grainy texture, and it shines with the luster of mother-of-pearl in the afternoon sun; the white latex paint on the ceiling of the bedroom is specially adjusted to the grayscale of "the first clear day after snow", so that the shadows of the trees outside the window are more layered. The most exquisite is the dining area - the double-sided high white wall refracts the morning light into soft diffuse light, and the customized oval dining table is made of white rock slabs, with a circle of bronze metal inlaid on the edge. When the family sits around for dinner, the reflection of the tableware on the table overlaps with the swaying shadows of the leaves outside the window, forming a visual rhythm of virtual and real interweaving. The designer once said: "White is not a blank, but a canvas waiting for life to fill in the color." This concept reaches its extreme in the master bedroom - the entire floor-to-ceiling window frames the forest into a dynamic painting, and the white linen curtains are blown by the mountain breeze, gently kneading the mottled shadows of the trees into the room.

全屋以白色为主基调，却在材质肌理上暗藏玄机：客厅墙面的微水泥带有细微颗粒感，在午后阳光中泛着珍珠母贝的光泽；卧室天花板的白色乳胶漆特意调至 “雪后初晴” 的灰度，让窗外树影投映时更显层次。最精妙的是餐厅区域 —— 双面挑高的白色墙体将晨光折射成柔和的漫射光，定制的椭圆形餐桌以白色岩板为面，边缘镶嵌一圈古铜色金属，当家人围坐用餐，餐具在桌面投下的倒影与窗外晃动的叶影重叠，形成虚实交织的视觉韵律。设计师曾说：“白色不是空白，而是等待生活填色的画布”，这种理念在主卧达到极致 —— 整面落地窗将林海框成动态画作，白色亚麻窗帘随山风轻拂，把树影的斑驳温柔地揉进室内。

The living area on the first floor reconstructs the plane logic through the height difference. The gray volcanic stone floor of the sunken living room and the white floor tiles of the dining room form a material definition. The height difference of the three steps not only divides the functional areas, but also creates a psychological sense of belonging of "sitting around the stove". When the mother prepares breakfast in the kitchen (located on a platform raised 1.2 meters), she can see the children playing on the carpet in the living room through the glass partition. This kind of penetrating vision makes housework no longer an isolated chore, but a special perspective for participating in family life. The design of the study on the second floor is more ingenious: the cantilevered white desk forms a 45-degree angle with the wall. Sitting on the customized curved chair, you can overlook the changing light and shadow in the stairwell, and you can see the birds flying on the treetops through the oblique window. This deliberate design of the spatial angle makes the reading time full of surprises of discovering nature.

一层起居区通过高差变化重构平面逻辑。下沉式客厅的灰色火山石地面与餐厅的白色地砖形成材质界定，三级台阶的高度差既划分功能区，又创造出 “围炉而坐” 的心理归属感。当母亲在厨房准备早餐（位于抬高 1.2 米的平台），可透过玻璃隔断看见孩子在客厅地毯上玩耍，这种视线的穿透性让家务劳动不再是隔离的琐事，而成为参与家庭生活的特殊视角。二层书房的设计更见巧思：悬挑的白色书桌与墙面形成 45 度夹角，坐在定制的弧形椅上，既能俯瞰楼梯间的光影变幻，又可透过斜向开窗望见树梢的飞鸟 —— 这种空间角度的刻意设计，让阅读时光充满发现自然的惊喜。

The dialogue between the building and the forest reaches its climax on the terrace. The white steel structure platform cantilevered from the main structure has a railing made of unevenly dense white steel cables. When snow falls in winter, the snow on the cables will form a unique icicle shape; in the summer evening, residents set up a projector here, and the white wall becomes the screen for showing old movies, with the silhouette of treetops swaying in the wind behind. This design that transforms the building interface into a natural medium is just like the open-air cinema in the summer of childhood in the owners memory - when the last ray of sunset gilds the white exterior wall of "Silver Lining", the whole building is like a luminous body suspended in the forest, responding to the order needs of modern life with geometric precision, and dissolving the boundaries between architecture and nature with the poetry of light and shadow, so that everyone living in it can find their own life texture in the purity of white.

建筑与森林的对话在露台达到高潮。悬挑出主体结构的白色钢结构平台，其栏杆以疏密不均的白色钢索构成，冬季落雪时，钢索上的积雪会形成独特的冰棱造型；夏季傍晚，住户在此支起投影仪，白色墙面便成为放映老电影的幕布，背后是随风轻摇的树梢剪影。这种将建筑界面转化为自然媒介的设计，恰似业主回忆中童年夏日的露天影院 —— 当最后一缕夕阳为 “Silver Lining” 的白色外墙镀上金边，整座建筑仿佛林间悬浮的发光体，既以几何的精确性回应着现代生活的秩序需求，又用光影的诗意消解了建筑与自然的界限，让每个居住其中的人都能在白色的纯粹里，找到属于自己的生活纹理。

编辑：

夏边际

撰文：豆宝宝

校改：吴一仁

编排：布忠耀

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